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Beaumont, Cyril W. The History of Harlequin. New York: Benjamin Blom, 1926.

Cairns, Christopher, ed. Commedia dell'Arte: From the Renaissance to Dario Fo. United Kingdom: Edwin Mellon Press, Ltd, 1989.

Castagno, Paul C. The Early Commedia dell'Arte: The Mannerist Context (1550-1621).

Clubb, Louise George.Italian Drama in Shakespeare's Time. New Haven and London: Yale University Press, 1989.

Cotticelli, Francesco; Heck, Anne G; Heck, Thomas F. The Commedia dell'Arte in Naples: A Bilingual Edition of the 176 Casamarciano Scenarios, Volume I (English edition) and Volume II (Italian edition). Lanham, MD and London: The Scarecrow Press, Inc., 2001.

Duchartre, Pierre Louis. The Italian Comedy. New York: Dover Publications, 1966.

Eldredge, Sears. Mask Improvisations for Actor Training and Performance. Evanston, IL: Northwestern University Press, 1996.

Fava, Antonio. La Maschera Comica Nella Commedia dell'Arte. (Italian only) Colledara, Italy: Andromeda Editrice, 1999.

Fitzpatrick, Tim. The Relationship of Oral and Literate Performance Processes in the Commedia dell'Arte: Beyond the Improvisation/Memorisation Divide. United Kingdom: The Edwin Mellon Press, Ltd., 1995.

Fo, Dario. The Tricks of the Trade. New York: Routledge, 1991.

Gordon, Mel. Lazzi: The Comedy Routines of the Commedia dell'Arte. New York: Performing Arts Journal Publications, 1983.

Grantham, Barry. Playing Commedia: A Training Guide to Commedia Technques. Portsmouth, NH: Heinemann, 2000.

Henke, Robert. Performance and Literature in the Commedia dell'Arte. Cambridge, UK: Cambridge University Press, 2002.

Herrick, Marvin T. Italian Comedy in the Renaissance. Freeport, NY: Books for Libraries Press, 1960.

Jagendorf, Zvi. The Happy End of Comedy. London: Associated University Presses, Inc., 1984.

Jenkins, Ron. Dario Fo & Franca Rame: Artful Laugher. New York: Aperture Books, 2002?.

Kennard, Joseph Spencer. The Italian Theatre: Volume 1. New York: William Edwin Rudge, 1932.

Lawner, Lynne. Harlequin on the Moon: Commedia dell'Arte and the Visual Arts. New York: Harry N. Abrams, 1998.

Lea, Kathleen. M. Italian Popular Comedy. 2 Volumes. London: Oxford University Press, 1934.

Lecoq, Jacques. The Moving Body: Teaching Creative Theatre. New York: Routledge, 2001.

MacNeil, Anne. Music and Women of the Commedia dell'Arte in the late Sixteenth Century. New York: Oxford University Press, 2003.

Madden, David. Harlequin's Stick--Charlie's Cane. Bowling Green University Popular Press, 1975.

Marcia, Alberto. The Commedia Dell'Arte and the Masks of Amleto and Donato Sartori. Florence, Italy: La Casa Usher, 1980.

Moland, Louis. Moliere and the Italian Comedy. Paris: Didier et cie, 1867.

Mulryne, J.R. and Margeret Shewring, ed. Theatre of the English and Italian Renaissance. New York: St. Martin's Press, 1991.

Nicoll, Allardyce. Masks, Mimes, and Miracles. New York: Cooper Square Publishers, Inc., 1963.

Nicoll, Allardyce. The World of Harlequin: A Critical Study of the Commedia dell'Arte. Cambridge University Press, 1963.

Niklaus, Thelma. Harlequin. New York: George Brazillier, Inc., 1956

Oreglia, Giacomo. The Commedia dell'Arte. New York: Hill and Wang Dramabook, 1968.

Pastoureau, Michel. The Devil's Cloth. New York: Columbia University Press, 1991.

Rolfe, Bari. Commedia dellArte: A Scene Study Book. San Francisco, CA: Persona Products, 1977.

Rolfe, Bari. Farces, Italian Style. Oakland, CA: Persona Products, 1978.

Rudlin, John. Commedia dell'Arte: An Actor's Handbook. New York: Routledge, 1994.

Rudlin, John and Ollie Crick. Commedia dell'Arte: A Handbook for Troupes. London and New York: Routledge, 2001.

Salerno, Henry F. editor. Scenarios of the Commedia dell'Arte: Flaminio Scala's "Il Teatro delle favole rappresentative". New York: New York University Press, 1967.

Sand, Maurice. The History of the Harlequinade. London: Benjamim Blom, 1915.

Schwartz, 1. A., PH.D. The Commedia dell'Arte and Its Influence on French Comedy in the Seventeenth Century. Paris: Librairie H. Samuel, 1931.

Scott, Virginia. The Commedia dell'Arte in Paris: 1644-1697. Charlottesville, VA: University Press of Virginia. 1990.

Segal, Erich. The Death of Comedy. Cambridge, MA: Harvard University Press. 2001.

Segal, Erich. Roman Laughter: The Comedy of Plautus. New York: Oxford University Press. 1968.

Smith, Winifred L. The Commedia dell'Arte. New York: Benjamin Blom, 1964.

Wadsworth, Philip A. Moliere and the Italian Theatrical Tradition. US: French Literature Publications Company, 1977.